In the heart of Atlanta's Central Library, artist Billy Clifton-Strawn invites us to embark on a journey into the world of pixels, those tiny squares of color that, when combined, create something truly magical. His exhibition, 'Pixels at Play,' is a captivating exploration of digital art and its ability to immerse and inspire.
What sets Clifton-Strawn's work apart is his deliberate choice to leave the pixels visible, a bold move that challenges our perception of digital imagery. He believes that the moment when thousands of pixels come together is when the true magic happens, and I couldn't agree more. It's like witnessing the birth of an image, a process that is both fascinating and thought-provoking.
The Immersive Experience
Clifton-Strawn's latest exhibition marks a significant shift in his artistic journey. He aims to create fully immersive experiences, pushing beyond the traditional frame and inviting viewers to step into his art. Two of his pieces, 'Expanses' and 'The Pleasure of Coming Apart,' are prime examples of this. Measuring nearly 15 feet and printed on fabric, these works engage the body before the mind, enveloping viewers in a sensory experience.
Digital Art: Legitimacy and Impact
The artist makes a strong case for the legitimacy of digital art, comparing it to traditional paint-on-canvas works. By exhibiting a mix of archival pigment prints and digital screen works, he showcases the versatility and power of digital media. This is a crucial step in challenging the perception that digital art is somehow less authentic or impactful.
The Weight of 'Still Here'
'Still Here' is a powerful series within the exhibition, a response to the challenges faced by the queer community in America. Each piece carries a profound message. 'People Are People' reminds us of our shared humanity, while 'Broken Promises' and 'Taking It to the Streets' address the broken commitments and the visual representation of protest. The series 'We Will Rise From This' centers on a phoenix, a symbol of resilience and rebirth.
A Non-Linear Family Story
'The Pride We Carry' is a unique piece that traces Clifton-Strawn's family history across six monitors. The non-linear narrative reflects the nature of memory and family stories, which often move in unexpected ways. The screens display images of his parents as teenagers, himself at age 7, and his husband, David, among other powerful symbols. This piece is a beautiful representation of family and the recognition that comes with it.
The Library as a Public Art Space
Clifton-Strawn's choice to exhibit in a library is intentional. He sees libraries as the last truly public spaces, places where accidental encounters with art can happen. He wants to reach those who might not actively seek out art, offering them a transformative experience. This idea of art as a public good, accessible to all, is a powerful one and a reminder of the importance of public art spaces.
Conclusion
'Pixels at Play' is a testament to the power of digital art and the artist's vision. It challenges our perceptions, immerses us in a world of pixels, and leaves a lasting impact. As an observer, I can't help but feel inspired by Clifton-Strawn's work and the way he uses art to address important social issues. It's a must-see exhibition that will leave you thinking long after you've left the library.
